The Camera and I are One
A while back, I had an unsettling experience with a young Producer. I had been hired to shoot a green screen industrial -young female actress spokesperson, in a variety of to be keyed in backgrounds. I lit the various vignettes to the Director's wishes, she's looking up into a sky light, she's standing on a beach at magic hour - you know the drill. I was careful to prevent green spill on my actress and set pieces, don't want THAT phone call from the post house. Towards lunch, the Producer approached me and asked what settings I had dialed in on the camera. I replied that I had the camera basically in neutral, no crushed blacks, didn't muck with the Matrix, basically just color balanced for the lighting. "No, I mean what settings did you use to make the picture so beautiful?" I again gently explained that there wasn't a magic bullet setting that I has used to create the image on her monitor. "It's just my lighting...." "But what setting did you use, I want to be able to recreate this the next time we shoot" At this point I realized that she was of the generation that pushing a button or using a setting or piece of software was how you created a look. No years of serving an apprenticeship, no paying dues, no skill in lighting required. I told her the setting was in my head and if she wanted to recreate it, she'd have to hire me again to use that special setting. I walked off, leaving her puzzled, probably trying to figure out how I mind melded with the camera.....


1 Comments:
You should have shown her the "beautiful" button - not nice of you to have kept that hidden from her.
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